Shut in, but still reaching out
RARELY venturing from their bedrooms, hikikomori are Japanese "shut-ins" who suffer social phobia. Estimated at about 700,000, the hikikomori mostly male are unable to cope with Japan's education and employment pressures. Supported by parents, they exist on anime, manga, video games and chat rooms. Eugenia Lim's Dianne Tanzer Gallery exhibition, Oasis, uses video, installation and lightboxes to explore the phenomenon.
diannetanzergallery.net.au
Laughter and sobriety
ARE art critics yet to get the joke? Jennifer Higgie, one of the VCA School of Art's most illustrious graduates, gives a public lecture asking "What's So Funny?" at the school's Federation Hall tomorrow at 6pm. Higgie is co-editor of British art magazine frieze, a novelist, screenwriter and editor of the anthology The Artist's Joke. "It's as impossible (or unbearable)," she says, "to imagine a life and by association, art without laughter as it is to imagine a life without air . . . [so] why haven't jokes, humour, wordplay and satire in the art of the last century been taken seriously?" vca.unimelb.edu.au
Artist breathes easier after $25,000 win
ANNE Judell has won the nation's top drawing gong, the Dobell Prize, ahead of a record 730 entries. The artist won the $25,000 prize for her work Breath (pictured above), an abstract triptych in pastel. Presenting the award at the Art Gallery of New South Wales, the judge, the distinguished nonagenarian artist Guy Warren, said that although there were many commendable works Judell's was notable for the soft voice in which it demanded attention: "With dense layers and subtle surfaces it talks of the mystery of growth, of essences and fragility, of quiet contemplation."
Art books find space
NEED to impress a visiting art doyen? World Food Books stocks a selected collection of international and Australian publications on art, fashion, critical theory and culture. They are only open on Fridays, from noon. Originally established at the now-concluded artist-run gallery Y3K, and then wandering in a series of pop-up incarnations, World Food Books no, there are no cookbooks to be found have recently settled in their new permanent quarters. From Monday to Thursday the space serves as an office for its proprietors, artists Josh Petherick and Matt Hinkley. worldfoodbooks.com
Heading out into the blue
IF YOU haven't seen the current exhibitions at the Centre for Contemporary Photography you have until Sunday. From Monday the gallery will be closed for summer, but the centre is leaving us a tropical video in its night-time window. John Howland and Anna-Maria O'Keeffe's work Studies in Rising and Falling Kiribati (pictured) depicts aspects of traditional life as a comment on the effects of climate change and rising sea levels. Footage shows fishermen "free" diving to eel traps images of freshwater wells were captured using fishing line and scaffolding made from local materials.
Frequently Asked Questions about this Article…
Which current art exhibitions and artists are highlighted in the article?
The article mentions Eugenia Lim’s exhibition Oasis at the Dianne Tanzer Gallery, John Howland and Anna‑Maria O’Keeffe’s Studies in Rising and Falling — Kiribati at the Centre for Contemporary Photography, and Anne Judell, who won the Dobell Prize for her pastel triptych Breath.
What is the Dobell Prize and why does it matter for everyday art collectors?
The article describes the Dobell Prize as the nation’s top drawing award (a $25,000 prize in this instance). Awards like the Dobell can raise an artist’s public profile, attract gallery attention and increase interest from collectors by spotlighting notable work—here exemplified by Anne Judell’s winning piece Breath.
How can gallery exhibitions help investors discover emerging or noteworthy artists?
Local gallery shows such as Oasis at the Dianne Tanzer Gallery and exhibitions at the Centre for Contemporary Photography offer direct exposure to an artist’s work and themes. Visiting exhibitions is a practical way to assess style, technique and public response—useful first steps for collectors and investors researching artists.
Where can I find specialised art books and resources mentioned in the article?
The article highlights World Food Books, which stocks international and Australian publications on art, fashion, critical theory and culture. It notes the shop is now in permanent quarters and is open on Fridays from noon, while operating as an office for its proprietors Monday to Thursday.
Does the article mention any artworks that address social or environmental themes?
Yes. It references work about hikikomori (Japanese shut‑ins) in Eugenia Lim’s Oasis exhibition and John Howland and Anna‑Maria O’Keeffe’s video Studies in Rising and Falling — Kiribati, which comments on climate change and rising sea levels through footage of traditional life and fishing techniques.
Are there any public talks or events mentioned that investors or collectors might attend?
The article highlights a public lecture by Jennifer Higgie at the VCA School of Art’s Federation Hall (scheduled for tomorrow at 6pm). Higgie is noted as co‑editor of the magazine frieze and editor of the anthology The Artist’s Joke, making the talk relevant for those interested in contemporary art discourse.
What practical visiting information does the article give about local galleries?
Practical details in the article include that the Centre for Contemporary Photography’s current exhibitions run until Sunday, after which the gallery closes for summer but leaves a tropical video in its night‑time window. World Food Books is open Fridays from noon and functions as an office Monday to Thursday.
How can themes like humour or social isolation in art influence collecting decisions?
The article discusses humour in art (Jennifer Higgie’s lecture on jokes and satire) and social isolation (the hikikomori subject in Oasis). For collectors, thematic resonance—whether cultural commentary, social issues or humour—can shape an artwork’s relevance and appeal, helping you decide what fits your collecting interests.