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Digital collectibles & NFTs

Steve Sammartino delves into the world of non-fungible tokens (NFTs) and the implications they have for the future of creative works.
By · 9 Mar 2021
By ·
9 Mar 2021
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Imagine for a minute that you owned something, but the thing that you own had no yield, you did not control it, others had access to it, they could share it, use it, copy it, and that there was an infinite number of exact replicas of the thing you owned.

If you’re asking the question: ‘How does that amount to ownership?’ – you’re not alone. Welcome to the world of NFTs, or non-fungible tokens.

NFTs are a closely related cousin to cryptocurrency, and as far as booming asset classes go, NFTs are the star of early 2021.

NFT - WTF?

Non-fungible tokens have been used to sell ownership of digital goods as part of the exploratory and natural evolution within the crypto economy.

NFTs allow buyers to purchase and claim ‘ownership’ of a digital good. At this stage, the good is usually an image, a GIF, animations, or even a piece of video footage. The ownership element takes the form of a unique digital token, which lives on a blockchain as proof of ownership.

Unlike a traditional cryptocurrency, these are not fungible – in that they cannot be broken into pieces and partially sold.

The primary purpose at this point has been in support of the artists themselves who trade in digital art.

Now for the weird bit...

The only thing the buyer truly owns with NFTs is the claim to ownership, which is the token itself, but not the actual asset. Buyers do not have exclusive use or control of the asset (yet, more on that later).

Like all digital files, they can be shared around the internet, copied an infinite number of times, and used by others without permission. Much the same as we’ve all been doing with digital files ever since we started living our lives on the web.

At this point, the buyers of these NFTs usually just get bragging rights and the ability to resell later – a speculative asset play. It’s very crypto! 

Serious money

As is often the case in new economic realms, artists have led the way. Some artists are selling their NFTs for serious money.

A new version of the ‘internet famous’ Nyan Cat fetched the original artist Chris Torres US$590,000 (which was 300 Ether at the time of sale).

The Artist Grimes (also the partner of Elon Musk) has sold art worth more than US$6 million this month. This included some individual pieces for nearly $400,000, as well as pieces for which up to 700 NFTs were sold of the exact same item – yes, you read that right – over 700 claims of ownership – against the same copy-able digital asset. Let’s just say it is a very good result for Grimes. While the digital artist Beeple sold $3.5 million worth of digital art in 2020.

If you’re like me, memories of infamous pop artist Andy Warhol might be springing to mind. While he is now well established as one of the great artists of the 20th century, much of his later work faced derision, mostly because many of his pieces were replicas, made in multitudes, and lacked exclusivity. However, today, his Brillo Boxes, of which he made 105, fetch over $3 million per piece. It was hard to see back then, where the value would be. It seems like this current incarnation in digital pop culture might also surprise.

Duplication & the internet

Until now, creating value on the internet has largely been a game of duplication. The more things multiply, the more value that flows back to the creators.

More readers, more video views, more likes, more comments often translated into money, albeit in a non-direct related realm. This makes sense, the internet is essentially a giant digital copying machine.

It has a natural bias built into it, the physics of how it works to want to copy everything. The key problem of course is that the internet is not very good at managing and maintaining scarcity.

The only form of scarcity it has created is attention itself. It’s solving this problem that I think NFTs can evolve into something very interesting.

Evolution of copyright

NFTs present an interesting future for much more than art, but potentially all forms of digital creative work. The potential for smart contracts around the ownership of digital assets cannot be understated.

Imagine having the rights to the NFT of a song, an image, or even a sporting highlight for which royalties could be paid to you as its rightful owner, verifiable on a blockchain. It could change the way monetisation of the internet works from a battle of attention and advertising dollars, to actually rewarding the creators of the digital content we consume.

In addition, artists could be paid royalties in perpetuity for each subsequent sale down the chain of ownership. This is something NFT platforms such as Nifty Gateway already do.

Speaking of platforms, while the technology which enables the Smart contracts purported above are not yet present, it’s highly possible this is the next step which could present an investment opportunity in yet another platform which has digital nautural monopoly potential.

And while the early versions of this asset class and related pricing might feel like a bubble, it might also lead us to a different type of business model across the entire internet which isn’t focused on privacy invasions and surveillance capitalism, heaven knows we need it.

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Steve Sammartino
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Frequently Asked Questions about this Article…

An NFT (non-fungible token) is a unique digital token recorded on a blockchain that acts as proof of ownership for a digital item (like an image, GIF or video). Owning an NFT gives you the claim to that token, not exclusive control of the underlying digital file — the image or video can still be copied and shared online. NFTs are not fungible (you can’t break them into pieces to sell fractions) and typically don’t produce yield; their value today is mainly the tokenised claim and its resale potential.

High-profile NFT sales (for example the Nyan Cat sale of about US$590,000 / ~300 Ether, Grimes selling more than US$6 million worth of work, and Beeple’s US$3.5 million in 2020) show there’s serious money in the market. For everyday investors this is largely a speculative asset class: many buyers currently seek bragging rights and the chance to resell at a higher price. That means potential upside exists, but so do bubble and volatility risks — treat NFT buying as high-risk, speculative exposure.

Yes — one of the early use-cases for NFTs is supporting creators. Some platforms (for example Nifty Gateway) already enable creators to receive royalties on secondary sales, so artists can be paid each time an NFT is resold. The broader promise is smart contracts that automatically verify and pay royalties on-chain, which could become more widespread as the technology and platforms evolve.

NFTs create scarcity in the form of a unique, blockchain-backed ownership claim, even though the underlying digital file can still be copied. The internet naturally duplicates digital content, so scarcity traditionally has been limited to attention. By tokenising ownership, NFTs can make ownership verifiable and scarce, which can drive perceived value — but the distinction between the token and the copyable asset is important for investors to understand.

NFTs — combined with smart contracts — could shift internet monetisation from advertising and attention-based models to direct, verifiable payments and perpetual royalties for creators. That could open investment opportunities in NFT platforms that win market share. However, the space is early-stage: technologies, business models and pricing can be immature or speculative. Everyday investors should watch for platform adoption, the robustness of smart-contract royalty features, and the high volatility and illiquidity of many NFT assets.