RICHARD JOHN MILLOTT
PHOTOGRAPHER
28-8-1946 14-3-2012
RICHARD Millott, a well-known Melbourne photographer who built an impressive list of corporate and individual clients for his own business, has died of advanced melanoma at Peter MacCallum Hospital. He was 65.
Richard, who was born in Kew to Gwen and Jack Millott, attended Carey Grammar School, then studied photography at RMIT from 1971-73, before working at the studios of Brian Brandt.
Richard towered physically over his peers, and his talents grew to match his stature. He matched the best in fashion and commercial photography, with creative standards inspired by global giants such as Richard Avedon. He balanced technical and practical demands, using technique as a vehicle for his imagination. In 1980 he won the local Hasselblad Masters, the first of many photographic awards for portraiture.
And when he started his own business, he worked in areas as diverse as fashion, food photography, political advertising and architecture. He inspired and nurtured the careers of many others, individually and through a strong association with both the Australian Institute for Professional Photographers and the Australian Commercial and Media Photographers, of which he was a founding member and later a director. An unfinished project, a book of beautiful landscapes of Phillip Island, is expected to be published.
In retirement, he built himself a large rough-hewn eucalypt garage (his "man-cave") at the family beach-house, where he enjoyed woodwork. The garage was also fully sound-equipped, so he could listen to his favourite jazz musicians. He also loved the theatre, attending the Moving Clickers film group, Melbourne's oldest film society, and was a passionate North Melbourne supporter.
Richard is survived by Tina, his wife of 37 years, children Ashley, Amber, Celeste and Jenna, granddaughter Lani, father Jack, and sister Margaret.
Frequently Asked Questions about this Article…
Who was Richard Millott and why is he notable in photography?
Richard Millott was a well-known Melbourne photographer (1946–2012) who built a strong client base across corporate and individual work. He matched high creative standards in fashion and commercial photography and won multiple awards for portraiture, making him a respected figure in Australian photography.
What kinds of photography did Richard Millott specialise in during his career?
Millott worked across a wide range of areas including fashion, food photography, political advertising, architecture and portraiture. His commercial versatility helped him attract diverse corporate and individual clients.
Where did Richard Millott train and begin his professional photography career?
He studied photography at RMIT from 1971–73 and worked at the studios of Brian Brandt before starting his own photography business in Melbourne.
What major awards and recognition did Richard Millott receive?
In 1980 he won the local Hasselblad Masters award, the first of many photographic awards he received for portraiture, reflecting his technical skill and creative vision.
What professional organisations was Richard Millott involved with?
Millott was a founding member and later a director of both the Australian Institute for Professional Photographers and the Australian Commercial and Media Photographers, where he helped nurture other photographers' careers.
Did Richard Millott leave any unfinished projects or publications?
Yes — an unfinished book of landscape photographs of Phillip Island was expected to be published after his death, according to the obituary.
What was Richard Millott like outside of photography — hobbies and personal life?
In retirement he built a large eucalypt garage (his 'man-cave') at the family beach house where he enjoyed woodworking and listening to jazz. He attended the Moving Clickers film group and was a passionate North Melbourne supporter. He is survived by his wife Tina, four children, a granddaughter, his father and sister.
Why might Richard Millott’s career be of interest to everyday investors in creative industries?
Millott’s long career, diverse client base and leadership roles in professional photography organisations illustrate the commercial demand and professional networks that can support creative businesses. His success and awards highlight how technical skill, reputation and industry involvement can drive opportunities in creative services.