School's chapel cloaked in beauty
The Catholic Ladies College in Eltham never really had an appropriate chapel on its school grounds, which border Diamond Creek.
When it moved to Eltham from East Melbourne in the 1960s, the chapel was the size of a classroom, barely accommodating 30 people. The music room also needed attention, previously in the bowels of the main building, adjacent to the maintenance and storage areas.
"Given the size of the grounds, in this idyllic bush setting, both these areas had to be addressed," says architect Virginia Ross, director of Williams Ross Architects.
To accommodate both functions, the school briefed Williams Ross Architects to design a new building, now called the Sister McAllister Centre, after a former principal.
"They wanted a sacred place for the chapel, but they also wanted it to feel part of the native landscape, as well as having a feminine touch," says Ross.
The elevated site, perched above the creek, warranted a feminine expression to the architecture. While some may interpret this literally as soft curves, Ross avoided the literal and conceived the brief in terms of light, how it plays across the form of the building, as well as through the interiors.
As well as using light, Ross was inspired by a photograph found in a yearbook. Taken in 1909, of the "Sisters of Honour", their Edwardian-style uniforms included asymmetrical cloaks, slightly angular in the folds. "I latched onto this image. It was as powerful as this site," says Ross.
This image, along with the unique context, generated a striking building. Clad in timber aluminium panels, arranged with angled joints, there is a subtle connections to the folds of the cloaks. "Fabric has been a source of inspiration for many architects, including Le Corbusier and Mies van der Rohe," Ross says.
As well as aluminium, the building's "fabric" includes timber wrapping the foyer and entry. And as a reminder of the wonderful bush setting, a "tear" has been made in the canopy. "The entire cladding is like a cloak, but still allowing views of the landscape," says Ross, who worked closely with Rush Wright Landscape Architects.
The notion of fabric continues into the interior of the chapel, with pristine white walls conceived in a series of folded planes. While some of these folds conceal artificial light, others act as celestial windows to admit natural light. As important, are the impressive stained glass windows, created by glass artists Janusz and Magda Kuzbicki and "the Shrine", a magical space, fully clad in travertine with a sculpture by Pauline Clayton.
As there's a significant fall in the land, the architects were able to create a generous music wing directly below the chapel. Complete with tutorial rooms, a recording space and two large classrooms, these are several notches above the previous music facilities.
Frequently Asked Questions about this Article…
The design of the new chapel was inspired by a photograph from 1909 of the 'Sisters of Honour' in Edwardian-style uniforms, which featured asymmetrical cloaks. This image, along with the unique bush setting, influenced the architecture's feminine expression and the use of light.
The architecture of the Sister McAllister Centre reflects its natural surroundings by incorporating timber and aluminium panels that mimic the folds of cloaks, allowing views of the landscape. The design also includes a 'tear' in the canopy to remind visitors of the bush setting.
The interior of the chapel features pristine white walls designed with folded planes, some of which conceal artificial light while others serve as celestial windows for natural light. The space also includes impressive stained glass windows and travertine cladding in 'the Shrine' area.
The new chapel at Catholic Ladies College was designed by Williams Ross Architects, with Virginia Ross as the director. They worked closely with Rush Wright Landscape Architects to integrate the building into its natural setting.
The music wing below the chapel includes tutorial rooms, a recording space, and two large classrooms. These facilities are significantly upgraded from the previous music facilities, taking advantage of the site's natural fall in the land.
The chapel's design incorporates a feminine touch through its use of light and the architectural form, which avoids literal soft curves. Instead, it focuses on how light interacts with the building's form and interiors, inspired by the asymmetrical cloaks of the 'Sisters of Honour.'
Stained glass windows, created by glass artists Janusz and Magda Kuzbicki, play a significant role in the chapel's design by adding color and light to the space. They complement the natural light admitted through the celestial windows and enhance the chapel's serene atmosphere.
The new building was named the Sister McAllister Centre in honor of a former principal of the Catholic Ladies College, reflecting the school's history and the importance of its leadership in shaping the institution.