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WIN WIN (M)  Cinema Nova (106 minutes)

TOM McCarthy specialises in nice little films about the foibles of ordinary Americans: unless you have a taste for that sort of thing, Win Win is a total bore.
By · 18 Aug 2011
By ·
18 Aug 2011
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TOM McCarthy specialises in nice little films about the foibles of ordinary Americans: unless you have a taste for that sort of thing, Win Win is a total bore.

Eternal schlub Paul Giamatti plays Mike Flaherty, a family man who runs a struggling legal practice and coaches high school wrestling in his spare time.

As a source of extra cash, he offers to become the official guardian of his senile client Leo (Burt Young) once the papers are signed, he drops the old man off at a retirement home, hoping that no one will catch on to the swindle.

Complications arise when Leo's sullen teenage grandson Kyle (Alex Shaffer) shows up in town and turns out to be a wrestling champion.

Dramatically there is not much at stake in this contrived scenario, especially as McCarthy is so keen to reassure us that Mike, despite his lapses, is basically a decent guy.

Nor does the film work as a comedy: laugh-out-loud jokes are rare, and the observational humour is hampered by an uncertain ear for dialogue (there's a lame exchange about the use of the term "fierce").

Neither Kyle nor Leo come to life as more than plot devices meant to speed the hero along the road to redemption.

The one bright spot is Amy Ryan as Mike's wife, Jackie, who serves as the conscience of the movie she brings enough warmth and vigour to her dreary role to make you wonder why she'd stay married to such a loser.

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Frequently Asked Questions about this Article…

The review says Win Win is a quiet, character-driven film that many viewers may find a bore unless they enjoy Tom McCarthy’s gentle dramas about ordinary people. It praises some performances but argues the story lacks dramatic stakes and laugh-out-loud comedy moments.

Paul Giamatti stars as Mike Flaherty, with Burt Young as his senile client Leo and Alex Shaffer as Leo’s grandson Kyle. The review highlights Amy Ryan, who plays Mike’s wife Jackie, as the one bright spot for bringing warmth and vigour to an otherwise dreary role.

The film follows Mike Flaherty, a struggling lawyer and high‑school wrestling coach, who becomes the official guardian of a senile client to get extra cash and places him in a retirement home. Complications arise when the client’s teenage grandson Kyle arrives and turns out to be a wrestling champion.

The review judges Win Win more as a low-key drama than a comedy. It notes that laugh-out-loud jokes are rare and the observational humour is undermined by an uncertain ear for dialogue.

No. The review describes the scenario as contrived and says there isn’t much at stake dramatically, partly because the director reassures the audience that the protagonist is essentially a decent man despite his lapses.

The review criticises the film for thin character development, saying Kyle and Leo function more as plot devices to push the hero toward redemption, while Jackie (Amy Ryan) is the notable exception who brings alive her role.

The review notes an uncertain ear for dialogue, giving an example of a lame exchange about the use of the word “fierce,” and says this weak dialogue hampers the film’s observational humour.

The review suggests that if you appreciate modest, character-driven films about the foibles of ordinary people you may enjoy Win Win. If you prefer stronger comedy, higher dramatic stakes, or more dynamic characters, the review warns the film may feel like a total bore.