US film critic who helped define a generation
FILM CRITIC
24-4-1916 - 9-10-2013
Stanley Kauffmann, the longtime film and theatre critic of US magazine The New Republic who in the 20th century helped define movie reviews as an intellectual form, has died. He was 97.
Kauffmann died from complications of pneumonia in New York.
Over his 54 years at the magazine, Kauffmann assessed innumerable cinematic masterpieces and helped bring a number of seminal directors to light, particularly the New Hollywood filmmakers of the 1970s and European upstart auteurs such as Francois Truffaut and Jean-Luc Godard.
In keeping with the intellectually upscale tone of his employer, Kauffmann was somewhat lower-key in tone than counterparts such as Pauline Kael, but no less influential. In a tribute posted on The New Republic website, longtime compatriot and current New Yorker critic David Denby wrote that: "Stanley electrified educated people with the news that movies had become one of the high arts again, and that there were contemporary works — by Bergman, Truffaut, Antonioni, and many other directors — the equal of the masterpieces of the silent era."
In so doing, Kauffmann served as a thought leader for "the Film Generation", a term he coined.
He also was eager to see connections between various art forms, shedding light on both in the process. In assessing David Foster Wallace's short-story collection, Brief Interviews With Hideous Men, Kauffmann wrote that "the book evokes much the same reaction as does Godard. Godard's films often convey that he thought his film-making talent was a curse; that he was doomed to use that talent in prescribed patterns, that he must try to explode those film-making patterns as drastically as possible yet still make his talent evident — at least, by letting viewers know that he was protesting."
Kauffmann also was a prolific author of books about film and, as an editor at New York publishing house Knopf early in his career, helped discover Walker Percy's award-winning The Moviegoer. He also appeared in the 2009 documentary For the Love of Movies alongside many fellow critical luminaries.
Kauffmann continued to be active well into his 90s, writing a piece for The New Republic as recently as August, in which he reviewed independent films Our Nixon, Israel: A Home Movie and Museum Hours.
Kauffmann's death continues an end-of-an-era period for a generation of American critics, with Roger Ebert dying earlier this year and Andrew Sarris passing away in June 2012.
Frequently Asked Questions about this Article…
Stanley Kauffmann was a longtime film and theatre critic for The New Republic magazine. He is significant for helping to define movie reviews as an intellectual form and for being a thought leader for 'the Film Generation.'
Stanley Kauffmann had a profound impact on the film industry by assessing numerous cinematic masterpieces and bringing attention to seminal directors, particularly from the New Hollywood era and European auteurs like Francois Truffaut and Jean-Luc Godard.
Stanley Kauffmann contributed to the recognition of movies as high art by electrifying educated audiences with the idea that contemporary films by directors like Bergman and Antonioni were on par with the masterpieces of the silent era.
Stanley Kauffmann's approach to film criticism was intellectually upscale and somewhat lower-key compared to his contemporaries. He was known for making connections between various art forms and shedding light on both in the process.
Yes, Stanley Kauffmann was a prolific author of books about film. His work extended beyond criticism to include writing and editing, contributing significantly to the literary world.
Early in his career, Stanley Kauffmann worked as an editor at the New York publishing house Knopf, where he helped discover Walker Percy's award-winning book, 'The Moviegoer.'
Stanley Kauffmann was active in his career for over 54 years, continuing to write and review films well into his 90s, with his last piece for The New Republic published in August before his passing.
Stanley Kauffmann's legacy in American film criticism is marked by his intellectual contributions and influence on a generation of critics. His passing, along with other notable critics like Roger Ebert and Andrew Sarris, signifies the end of an era in American film criticism.